This is the merchandise summary page for our none track specific goodies for The Alice Syndrome.
Jan 26
Harder faster quicker now – Merchandise
This is the merchandise summary page for our track, harder faster quicker now.
Jan 25
Stop me but give me more – Merchandise
Welcome to our Etsy shop summary page for our track, stop me but give me more.
Jan 24
Band timeline
Jan 2000
Jan 2000
George and Groovhead start jamming
Around January 2000, George and Groovhead started jamming together. Groov on bass, George on synths.
2002
February
Cornish and Boz join the jam
Around 2001/2, George and Groovhead were joined by Cornish and Boz on guitar. We agreed we were going to form a band, and started looking for a drummer.
April
Matty joins, and the band is officially formed
Around April 2002, Matty joins as drummer, and completes the line-up.
November
Boz leaves, Will joins
Sometime around November 2002, Boz decided t leave the band, and was replaced by Will on glissando guitar.
2005
April
Tom Joins
Tom Joins as lead singer, and plays Thornbough Music Festival with us
2007
2007
The long tea-break
Somewhere around 2007, we realised we were no longer playing together and were involved with other things, so we decided to take a break from being Alice.
2013
March
Will, George, Groovhead and Gremlin start playing together
After a long hiatus, Will, George, Groovhead and Gremlin started jamming together and discussed reforming the band.
May
Gremlin leaves and Chris joins
Gremlin left and Chris joined on drums. We started actively looking for a drummer.
2014
February
Chris leaves and Andy joins
Chris decided to leave the band, and bass guitarist by Andy joined
September
Dave joins
Dave joins as drummer, and we start preparing for gigs.
2016
March
Andy decides to leave the band
Bass Guitarist Andy chooses to leave the band
April
Nick fills in on bass
Nick takes over on bass for our forthcoming album, all the second takes.
May
The album All the Second takes is launched
We launch our first album, All the Second Takes.
June
Tzolkin joins the band
Around June, we found Tzolkin, who took over on bass guitar.
2018
August
Nick joins
Nick starts to work with the band as our sound engineer.
2019
May
Dave leaves
After drumming for us for 5 years, Dave decided to leave the band.
2023
May
Nick becomes our drum engineer
Nick starts programming drums for our songs.
December
The track, stop me but give me more is launched
In December 2023, we launched the track, stop me but give me more.
2024
January
Album launch – Box of Toys
In January, we released the album, Box of Toys.
Jan 24
George’s Blog: Psychedelic Rock and Space Rock
Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence.
Psychedelic Rock
Psychedelic rock is a genre of rock music that emerged in the mid-1960s and was influenced by psychedelic culture and hallucinogenic drugs. It’s a genre that is in the roots of The Alice Syndrome, with both founding members heavily influenced by early psychedelic rock bands and musical styles. The genre incorporated new electronic sound effects, extended instrumental solos, improvisation, and non-Western instruments such as the sitar.
Psychedelic rock also reflected the social and political changes of the 1960s, such as the counterculture movement, the Summer of Love, and the Woodstock festival. Psychedelic rock can be divided into two main variants: the British psychedelia, which was more whimsical and surreal, and the American acid rock, which was more aggressive and raw.
Some of the most influential psychedelic rock bands were the Beatles, the Rolling Stones, Pink Floyd, the Doors, Jefferson Airplane, and Jimi Hendrix. Psychedelic rock reached its peak in 1967-1969, before declining in popularity as musical tastes changed and some of its key figures died or left the scene (Britannica, n.d.; Wikipedia, n.d.; Rock’n’Roll Unravelled, 2020).
Space Rock
Space rock is a musical genre that emerged from the British psychedelic rock music scene in the late 1960s and early 1970s, influenced by science fiction themes, space exploration, and electronic sounds.
Bands such as Pink Floyd, Hawkwind, and Gong created long, experimental, and atmospheric compositions that often featured synthesizers, distorted guitars, and cosmic lyrics (Wikipedia, n.d.). Space rock was also associated with the West German kosmische Musik movement, which explored similar sonic territories with bands like Tangerine Dream, Ash Ra Tempel, and Can (Wikipedia, n.d.).
Space rock declined in popularity in the late 1970s, but was revived in the mid-1980s by bands like Spacemen 3, who combined space rock with drone music and drug culture (Ranker, n.d.). Space rock also influenced other genres such as shoegaze, post-rock, stoner rock, and ambient music, with bands like The Verve, Flying Saucer Attack, and Ozric Tentacles continuing the space rock tradition into the 1990s and beyond (Ranker, n.d.; Wikipedia, n.d.).
Gong and Hawkwind are two influential bands in the British psychedelic rock music scene, especially in the subgenre of space rock. Space rock is characterized by “loose and lengthy song structures centred on instrumental textures that typically produce a hypnotic, otherworldly sound” (Reverb, 2022).
Gong
Gong was formed in Paris in 1967 by Australian musician Daevid Allen and English vocalist Gilli Smyth, who had previously been members of Soft Machine (Wikipedia, 2022). Gong’s music is often described as space-rock, a genre that includes bands like Hawkwind and Pink Floyd (Psychedelicized, 2022).
The band’s mythology, centred around the fictional planet of Gong, provides an imaginative framework for their intricate compositions, which blend elements of psychedelic, progressive, and Canterbury scene rock (Ranker, 2022). Gong used synthesizers extensively in their albums, especially in the “Radio Gnome Invisible” trilogy, which is considered their best-known work (Reverb, 2022).
Hawkwind
Hawkwind was formed in London in 1969 by Dave Brock, Nik Turner, Mick Slattery, and Terry Ollis (Wikipedia, 2022). Hawkwind’s music is also classified as space-rock, and they are known for their “sci-fi lyrics, sonic experimentation, innovative use of electronics and light shows” (Wikipedia, 2022). Hawkwind’s most famous album is “Space Ritual”, a live double album recorded in 1972 that features spoken word pieces by sci-fi author Michael Moorcock (Wikipedia, 2022). Hawkwind also collaborated with Lemmy Kilmister, who later formed Motörhead, and Robert Calvert, a poet and singer who contributed to many of their albums (Wikipedia, 2022).
Besides Gong and Hawkwind, there are many other space rock bands that have contributed to the genre. Some of them are:
Pink Floyd: Perhaps one of the most universally known space rock bands, Pink Floyd has shaped the genre with their atmospheric soundscapes, intricate concept albums, and iconic live shows. Blending progressive rock, blues, and psychedelic influences, they have created timeless classics such as “Dark Side of the Moon” and “Wish You Were Here,” which continue to resonate with fans worldwide. Pink Floyd’s innovative use of technology and unique instrumentation, combined with introspective and thought-provoking lyrics, has solidified them as true visionaries in the realm of space rock. They have pushed boundaries and transcended traditional musical structures, leaving an indelible mark on music history (Ranker, 2022).
Ozric Tentacles: Founded in 1983, Ozric Tentacles stand out as a prime example of modern space rock, incorporating elements of electronic, world, and ambient music to create their own unique sound. Their improvisational and experimental approach to songwriting, inspired by both psychedelic and progressive rock, has produced mesmerizing sonic journeys that transport listeners to otherworldly dimensions. Over their 30+ year career, they’ve continuously expanded upon the space rock blueprint, incorporating new technologies and challenging the genre’s conventions. Ozric Tentacles’ ongoing evolution and dedication to pushing creative boundaries have firmly established them as trailblazers in the space rock community (Ranker, 2022).
Eloy: Eloy is a German progressive rock band that was formed in 1969 by Frank Bornemann. Eloy’s music is influenced by space rock bands like Pink Floyd and Hawkwind, as well as classical music and German literature. Eloy’s albums often feature conceptual themes and sci-fi stories that explore topics such as time travel, extraterrestrial life forms, and human destiny. Their sound is characterized by lush keyboards, soaring guitars, symphonic arrangements, and dramatic vocals. Eloy is considered one of the most important bands in the history of German rock music (Wikipedia, 2022).
Nektar: Nektar is another German progressive rock band that was formed in 1969 by Roye Albrighton. Nektar’s music is also influenced by space rock bands like Pink Floyd and Hawkwind, as well as jazz fusion and hard rock. Nektar’s albums often feature complex compositions and elaborate narratives that span multiple tracks. Nektar’s sound is characterized by melodic guitars, psychedelic keyboards, dynamic rhythms, and harmonized vocals. Nektar is known for having a rhythmic liquid/slide light show at their concerts that enhances their musical performance. Nektar is regarded as one of the pioneers of progressive rock (Wikipedia,
2022).
The evolution of space rock
The evolution of space rock continued in the mid-1980s to the present day, when new genres such as shoegaze, stoner rock, and post-rock, emerged from its influence.
Shoegaze is a genre that combines space rock’s use of distortion and reverb with dream pop’s ethereal melodies and vocals. Some examples of shoegaze bands are My Bloody Valentine, Slowdive, and Ride (Wikipedia, 2022).
Stoner rock is a genre that combines space rock’s heavy riffs and psychedelic elements with doom metal’s low-tuned guitars and slow tempos. Some examples of stoner rock bands are Kyuss, Sleep, and Electric Wizard (Wikipedia, 2022).
Post-rock is a genre that uses space rock’s instrumental textures and experimental techniques to create atmospheric and dynamic soundscapes that transcend conventional rock structures. Some examples of post-rock bands are Mogwai, Godspeed You! Black Emperor, and Sigur Rós (Wikipedia, 2022).
Space rock is a diverse and rich genre that has inspired many musicians and listeners over the decades. It is a genre that explores the unknown and the infinite, and creates a sonic experience that is both captivating and transcendent.
The current space rock music scene in the UK is diverse and vibrant, with many bands continuing to explore the possibilities of the genre and incorporating new elements from electronic, ambient, world, and stoner music. Some of the notable space rock bands in the UK today are:
Spiritualized: Formed in 1990 by Jason Pierce, Spiritualized is one of the most acclaimed space rock bands of all time. Their music combines elements of gospel, blues, soul, and orchestral arrangements with psychedelic and space rock influences. Their albums often feature conceptually ambitious themes and narratives, such as addiction, redemption, and death. Some of their most celebrated albums are Ladies and Gentlemen We Are Floating in Space (1997), Let It Come Down (2001), and And Nothing Hurt (2018) (Ranker.com, n.d.; Last.fm, n.d.).
Failure: Originally from Los Angeles, Failure is a space rock band that relocated to the UK in 2015 after reuniting following a 17-year hiatus. Their music is characterized by heavy guitar riffs, melodic vocals, and complex song structures that often incorporate unconventional time signatures and tempo changes. Their albums also feature interludes and transitions that create a cohesive and cinematic listening experience. Some of their most acclaimed albums are Fantastic Planet (1996), The Heart Is a Monster (2015), and In the Future Your Body Will Be the Furthest Thing from Your Mind (2018) (Ranker.com, n.d.; Last.fm, n.d.).
Hum: Hum is a space rock band from Champaign, Illinois that has been active since 1989. Their music is influenced by shoegaze, indie rock, and metal, and features distorted guitars, ethereal vocals, and dense layers of sound. Their lyrics often deal with themes of science fiction, astronomy, and existentialism. Their most successful album is You’d Prefer an Astronaut (1995), which spawned the hit single “Stars”. They released their first album in 22 years, Inlet, in 2020 (Ranker.com, n.d.; Last.fm, n.d.).
References
Britannica. (n.d.). Psychedelic rock | Origins, Influences & Genre-Defining Artists. Retrieved from https://www.britannica.com/art/psychedelic-rock
Last.fm. (n.d.). Space rock music | Last.fm. Retrieved January 24, 2024, from https://www.last.fm/tag/space+rock
Rock’n’Roll Unravelled. (2020).
The Psychedelic Sixties – Rock’n’Roll Unravelled. Retrieved from https://rocknrollunravelled.com/the-psychedelic-sixties/
Psychedelicized. (2022). Gong. Retrieved from https://psychedelicized.com/playlist/g/gong/
Ranker. (2022).
Space Rock Bands | List of Best Space Rock Groups. Retrieved from https://www.ranker.com/list/space-rock-bands-and-musicians/reference
Ranker. (n.d.). Space Rock Bands | List of Best Space Rock Groups. Retrieved from https://www.ranker.com/list/space-rock-bands-and-musicians/reference
Reverb. (2022). The Synths and Electronic Gear of Space Rock. Retrieved from https://reverb.com/uk/news/the-synths-of-space-rock
Wikipedia. (2022). Eloy (band). Retrieved from https://en.wikipedia.org/wiki/Eloy_%28band%29
Wikipedia. (2022). Gong (band). Retrieved from https://en.wikipedia.org/wiki/Gong_%28band%29
Wikipedia. (2022). Hawkwind. Retrieved from https://en.wikipedia.org/wiki/Hawkwind
Wikipedia. (2022). Post-rock. Retrieved from https://en.wikipedia.org/wiki/Post-rock
Wikipedia. (2022). Shoegazing. Retrieved from https://en.wikipedia.org/wiki/Shoegazing
Wikipedia. (2022). Space rock. Retrieved from https://en.wikipedia.org/wiki/Space_rock
Wikipedia. (2022). Stoner rock. Retrieved from https://en.wikipedia.org/wiki/Stoner_rock
Jan 19
George’s Blog: Flies
Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.
Lyrics I submit to the lord of the universe Wherever you are, death will overtake you Give glad tidings to those who patiently proceed By the token of time through the ages – Islamic break – Vie with one another, in good works Wherever you are, death will overtake you I submit to the lord of the universe Give glad tidings to those who patiently proceed Who so interveneth, in a good cause – Islamic break – Wherever you are, death will overtake you I submit to the lord of the universe I submit to the lord of the universe
Though you are in towers raised high
Vie with one another, in good works
By the token of time through the ages
Vie with one another, in good works
Verify, man is in lust
Except that which have faith
And do righteous things
And join together, in mutual teachings of truth
And of patience
And of constancy
Give glad tidings to those who patiently proceed
Though you are in towers raised high
Vie with one another, in good works
Shall have the reward thereof
And who so interveneth in an evil cause</span>
Will bear the consequences thereof
By the token of time through the ages
Though you are in towers raised high
The lyrics for our song, Flies, are inspired by the Islamic faith and the Quran. The lyrics include several verses that are either direct quotations or paraphrases from the Quran, such as “Wherever you are, death will overtake you / Though you are in towers raised high” (Quran 4:78), “Vie with one another, in good works” (Quran 5:48), “By the token of time through the ages / Verify, man is in lust / Except that which have faith / and do righteous things / and join together, in mutual teachings of truth / and of patience / and of constancy” (Quran 103:1-3), and “Who so interveneth, in a good cause / shall have the reward thereof / And who so interveneth in an evil cause, / will bear the consequences thereof” (Quran 4:85) (Ali, 2002). These verses suggest a theme of moral accountability, divine judgment, and human struggle in the face of temptation and evil.
At this point, we have a quote from Groovhead, which explains the thinking behind the track:
“the track flies was written a few years ago against the backdrop of a surging wave of islamaphobia and the demonisation of muslims both here in the uk,and globally .The words are taken directly from the Quran , in an attempt to show Islam not as the rabid death cult as it has been portrayed , but rather as a religion based on love , compassion ,and respect ,however , as with all religions (yes , american christian right wing fundamentalists ,were looking at you )words written in good faith and love are so easily corrupted and twisted tothemost evil of ends .This song is not pro islam song ,nor a pro muslim song , rather it is an anti anti muslim song.It is beyond horrendous that this song seems sadly more relevant now with the demonisation and dehumanisation of the palestinian people,whohave endured 75 years of aparthied ,56 years of theloss of their homeland through illegal israeli settlements , a 16 year blockade of gaza , and the ongoing genocide that has left upto 20,000 dead , and rising , the majority of which are women and children , .the alice syndrome rejects all and any religion that cannot respect the most basic human rights of others , and uses the words of their faith and dogma to suppress the rights of others to live in peace , with dignity and respect ,,,, from the river to the sea ,,,,,” groovhead
The song is a provocative and challenging piece of art that explores the themes of mortality, morality, faith, and action from an Islamic perspective. We use verses from the Quran to convey a message and to invite the listeners to reflect on their own beliefs and deeds.
The song begins and ends with the phrase “I submit to the lord of the universe”, which is a declaration of faith and surrender to God’s will. The song then contrasts the inevitability of death with the urgency of doing good works, as instructed by the Quran.
The song also emphasizes the importance of having faith, doing righteous things, and joining together in mutual teachings of truth, patience, and constancy. These are the qualities that distinguish the believers from those who are in lust, or who follow their own desires without regard for God’s guidance. The song also warns against intervening in evil causes, as this will result in negative consequences, while intervening in good causes will bring rewards.
The song Flies is a creative and courageous expression of Islamic values and principles, as well as a critique of the contemporary world that often neglects or opposes them. We use the Quran as a source of inspiration, as well as a tool for communication and education.
References
Ali, A. Y. (2002). The meaning of the Holy Quran. Beltsville: Amana Publications.
Jan 19
George’s Blog: Death, Mother, Goddess
Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.
I think it’s fair to say, that death mother goddess is our darkest track, by quite a long way. In my interpretation, it explores that darkest of inner dialogues, between two aspects of self which hate each other. It’s clearly exploring what could be going on in the mind of a traumatised individual, the voice being heard, one of a dissociated part of her personality.
Trauma is a psychological response to an event or situation that is deeply distressing or overwhelming. It can affect a person’s sense of safety, trust, and self-worth. Trauma can also disrupt the normal functioning of the brain, especially the parts that are involved in memory, emotion, and identity.
One of the ways that the brain tries to cope with trauma is by dissociating, which means separating or disconnecting from the traumatic experience. Dissociation can take many forms, such as feeling numb, detached, or unreal; having gaps in memory; or switching to different personality states. It can help a person survive the trauma in the short term, but it can also interfere with their ability to process and heal from it in the long term.
Dissociation can also affect how a person relates to themselves and others. When a person dissociates, they may lose touch with their own thoughts, feelings, and needs. They may also have difficulty recognizing and regulating their emotions, which can lead to negative voices or thoughts. Negative voices or thoughts are internal dialogues that are critical, hostile, or harmful. They can undermine a person’s self-esteem, confidence, and well-being. Negative voices or thoughts can also trigger or worsen symptoms of anxiety, depression, or post-traumatic stress disorder (PTSD).
Dissociation and negative voices or thoughts are common reactions to trauma, but they are not healthy or helpful in the long run. They can prevent a person from living a fulfilling and meaningful life.
Mental health is a topic that affects many people, especially in the music industry. According to Help Musicians UK (2017), 71% of musicians have experienced anxiety and panic attacks, and 68% have suffered from depression. However, there is still a stigma and a lack of understanding around mental health issues, which can make people feel isolated, hopeless, and afraid to seek help. As a musician who has struggled with hearing voices, I know how hard it can be to cope with this condition. Voices can make you feel alone, depressed, and suicidal. They can also interfere with your creativity, performance, and relationships. That is one of the reasons we created this track, death mother goddess, to express this experience and to raise awareness of this issue.
This track is not meant to be easy listening. It is dark, intense, and disturbing. But it reflects the reality of many people who live with voices every day. They often face rejection, discrimination, and violence from society, even from their own friends and family. They are told that they are crazy, dangerous, or possessed. Likewise, they are forced to hide their voices or to take medication that may not work or have harmful side effects. They are denied the opportunity to explore the meaning and origin of their voices, or to find ways to cope with them that suit their needs and preferences.
But there is hope. There are many musicians who have been open about their mental health challenges and who have used their music as a way of healing and empowering themselves and others. For example, Craig David has spoken about his battle with anxiety and how he overcame it through therapy and meditation (BBC Newsbeat, 2016). Laura Mvula has shared her experience of living with bipolar disorder and how music helped her cope with depression (The Guardian, 2016). Tom Grennan has revealed his struggle with addiction and how he used music as a form of therapy (NME, 2021). These are just some of the artists who have been actively campaigning for mental health awareness and support in the music industry and beyond.
There are also many organisations and resources that can help musicians with their mental health. For instance, Music Minds Matter is a free 24/7 helpline run by Help Musicians for everyone in the music industry (Help Musicians UK, n.d.). Music Support also runs a helpline for anyone in the music industry struggling with ill mental health and/or addiction (Music Support, n.d.). The British Association for Performing Arts Medicine (BAPAM) connects performing artists and musicians with free specialist health support (BAPAM, n.d.). These are just some of the services that are available for musicians who need help.
The aim of this track is not to glorify or romanticise mental illness, but to challenge the stereotypes and stigma that surround it. It is also to show solidarity and compassion to those who suffer from it. It is to say that you are not alone, you are not broken, you are not hopeless. You are a human being with a unique voice and a valuable story. You deserve respect, understanding, and support. Furthermore, you deserve to live a fulfilling and meaningful life.
References
BBC Newsbeat (2016). Craig David: ‘Anxiety made me feel paranoid’. Retrieved from https://www.bbc.co.uk/news/newsbeat-37468541
BAPAM (n.d.). British Association for Performing Arts Medicine. Retrieved from https://www.bapam.org.uk/
Help Musicians UK (2017). Can Music Make You Sick? Retrieved from https://www.helpmusicians.org.uk/assets/publications/files/can_music_make_you_sick_summary.pdf
Help Musicians UK (n.d.). Music Minds Matter. Retrieved from https://www.helpmusicians.org.uk/health-welfare/mental-health/music-minds-matter
Music Support (n.d.). About Us. Retrieved from https://www.musicsupport.org/about-us/
NME (2021). Tom Grennan: “I’ve been through addiction – music was my form of therapy”. Retrieved from https://www.nme.com/features/tom-grennan-ive-been-through-addiction-music-was-my-form-of-therapy-2877310
The Guardian (2016). Laura Mvula: ‘I don’t know what happy looks like’. Retrieved from https://www.theguardian.com/music/2016/jun/12/laura-mvula-the-dreaming-room-interview
Jan 19
George’s Blog: Harder Faster
Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.
There are too many books I have not read Take the knife and mark my skin Warning signs will go unnoticed I want more days so I have time
too many words I have not said
Too many feelings left untouched
Harder faster quicker now
Lessons learnt will be forgotten
As I plot another process
plot another path of torment
harder faster quicker now
As my soul is spread so thin
Drain me slowly, take it all
Harder faster quicker now
As I work on through the process
Choosing not to see the dangers
Harder faster quicker now
To reclaim what is rightfully mine
Though it never can be returned
Harder faster quicker now
The lyrics of harder faster quicker now, express a sense of urgency, frustration and self-destruction. The narrator feels overwhelmed by the things they have not done, the emotions they have not felt, and the life they have not lived.
Many people experience a sense of anxiety or guilt when they think about the tasks they have not completed or the goals they have not achieved. This is a common psychological phenomenon that can affect anyone at some point in their life.
There are various factors that can contribute to this feeling, such as unrealistic expectations, perfectionism, procrastination, stress, or lack of time management skills.
There are also effective strategies to cope with this feeling and reduce its negative impact on one’s well-being and productivity. Some of these strategies include prioritizing the most important or urgent tasks, breaking down large projects into smaller and manageable steps, setting realistic and achievable goals, rewarding oneself for accomplishments, seeking help or support when needed, and practising self-compassion and mindfulness.
As the lyrics continue, it becomes clear they resort to a compulsive and reckless behaviour, ignoring the consequences and the warnings. They inflict pain on themselves, both physically and mentally, as a way of coping with their dissatisfaction and emptiness.
Negative coping is a term that describes the use of maladaptive strategies to deal with stress or emotional distress. These strategies may provide temporary relief or distraction, but they often have harmful consequences in the long term. Examples of negative coping include substance abuse, self-harm, gambling, binge-eating, or excessive spending.
Negative coping can be seen as a form of compulsive and reckless behaviour because the person ignores the negative effects of their actions on themselves and others. They may also disregard the warnings or advice from their friends, family, or professionals who try to help them. This can lead to a vicious cycle of increasing stress, emotional pain, and unhealthy behaviour.
Negative coping can sometimes be overcome by learning and applying positive coping skills, such as relaxation, exercise, meditation, hobbies, or seeking support. Positive coping skills can help reduce stress, enhance well-being, and improve the quality of life. However, there can be underlying issues that drive this coping behaviour, often making it all the more dangerous and difficult to manage for the individual concerned.
As the lyrics continue, the individual also seems to have a delusional hope of reclaiming what they have lost, even though they know it is impossible. The chorus repeats the phrase “harder faster quicker now” as a mantra that reflects their obsession and desperation.
The song can be compared with other songs that deal with similar themes of alienation, self-harm and nihilism. For example, “Hurt” by Nine-Inch Nails (and later covered by Johnny Cash) describes the feeling of being numb and isolated, and the use of drugs and cutting as a way of escaping from reality.
Another example is “Basket Case” by Green Day, which portrays the experience of having a panic disorder and feeling paranoid and out of control. Both songs also use a fast tempo and a distorted sound to convey the intensity and chaos of their emotions.
Jan 18
Death mother goddess – Resources
This is the resources page for The Alice Syndrome’s track, death mother goddess
Download Merchandise George's Blog Potential triggers
Voice 1 Voice 1 Voice 1 Repeat to end.Lyrics - 1Lyrics - 2Lyrics - 3
“And what makes you think you are good enough?
There is nothing about you that is appealing.
You sicken me”
Voice 2
“And what makes you think you are good enough?
There is nothing about you that is appealing.
You sicken me”
Voice 1
“I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
Voice 2
“You are worthless
I will destroy all your hopes
I will take all your joy
and poison your smile
I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
Voice 1
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and bitter and twisted, devoid of light”
Voice 2
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and bitter and twisted, devoid of light”
Voice 1
“I will lurk in every shadow
every corner of your mind
I will be every part of you
until you are nothing but me”
Voice 2
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and worthless and devoid of light”
“You are worthless
I will destroy all your hopes
I will take all your joy
and poison your smile
I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
Voice 2
“You are worthless
I will destroy all your hopes
I will take all your joy
and poison your smile
I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
Voice 1
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and worthless and devoid of light”
Voice 2
“I will lurk in every shadow
every corner of your mind
I will be every part of you
until you are nothing but me”
Voice 1
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and bitter and twisted,”
“Twisted”
“Twisted”
“Twisted”
“I will destroy you”
“Twisted”
“Twisted”
“I will destroy you”
Voice 2
“I will destroy you”
Voice 1
“Tearing, rip-apart and savage
Until all you hold dear is shredded and broken
Nothing will or can protect you
I know you too well”
Voice 2
“Tearing, rip-apart and savage
Until all you hold dear is shredded and broken
Nothing will or can protect you
I know you too well”
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
Voice 1
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
Voice 1
“I will destroy you”
Voice 2
“I will destroy you”
Voice 1
“Rip apart and savage”
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
Voice 2
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
Voice 1
“I will destroy you”
Voice 2
“I will destroy you”
Voice 1
“Rip apart and savage”
Voice 1
“Rip apart and savage”
Voice 1
“I will exploit every dark fear and memory
Leave your mind broken, and twisted
Twisted”
Voice 2
“I will exploit every dark fear and memory
Until you are lying broken on the floor”
“Twisted”
Voice 1 and Voice 2
“I will destroy you”
“I will exploit every dark fear and memory
Leave your mind broken, and twisted”
Jan 18
Flies – Resources
This is the resources page for The Alice Syndrome’s track, Flies.
Download Merchandise George's Blog Potential triggers
Lyrics I submit to the lord of the universe Wherever you are, death will overtake you Give glad tidings to those who patiently proceed By the token of time through the ages – Islamic break – Vie with one another, in good works Wherever you are, death will overtake you I submit to the lord of the universe Give glad tidings to those who patiently proceed Who so interveneth, in a good cause – Islamic break – Wherever you are, death will overtake you I submit to the lord of the universe I submit to the lord of the universe
Though you are in towers raised high
Vie with one another, in good works
By the token of time through the ages
Vie with one another, in good works
Verify, man is in lust
Except that which have faith
And do righteous things
And join together, in mutual teachings of truth
And of patience
And of constancy
Give glad tidings to those who patiently proceed
Though you are in towers raised high
Vie with one another, in good works
Shall have the reward thereof
And who so interveneth in an evil cause</span>
Will bear the consequences thereof
By the token of time through the ages
Though you are in towers raised high
