The Alice Syndrome

George’s Blog: Death, Mother, Goddess

Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.

I think it’s fair to say, that death mother goddess is our darkest track, by quite a long way. In my interpretation, it explores that darkest of inner dialogues, between two aspects of self which hate each other. It’s clearly exploring what could be going on in the mind of a traumatised individual, the voice being heard, one of a dissociated part of her personality.

Trauma is a psychological response to an event or situation that is deeply distressing or overwhelming. It can affect a person’s sense of safety, trust, and self-worth. Trauma can also disrupt the normal functioning of the brain, especially the parts that are involved in memory, emotion, and identity.

One of the ways that the brain tries to cope with trauma is by dissociating, which means separating or disconnecting from the traumatic experience. Dissociation can take many forms, such as feeling numb, detached, or unreal; having gaps in memory; or switching to different personality states. It can help a person survive the trauma in the short term, but it can also interfere with their ability to process and heal from it in the long term.

Dissociation can also affect how a person relates to themselves and others. When a person dissociates, they may lose touch with their own thoughts, feelings, and needs. They may also have difficulty recognizing and regulating their emotions, which can lead to negative voices or thoughts. Negative voices or thoughts are internal dialogues that are critical, hostile, or harmful. They can undermine a person’s self-esteem, confidence, and well-being. Negative voices or thoughts can also trigger or worsen symptoms of anxiety, depression, or post-traumatic stress disorder (PTSD).

Dissociation and negative voices or thoughts are common reactions to trauma, but they are not healthy or helpful in the long run. They can prevent a person from living a fulfilling and meaningful life.

Mental health is a topic that affects many people, especially in the music industry. According to Help Musicians UK (2017), 71% of musicians have experienced anxiety and panic attacks, and 68% have suffered from depression. However, there is still a stigma and a lack of understanding around mental health issues, which can make people feel isolated, hopeless, and afraid to seek help. As a musician who has struggled with hearing voices, I know how hard it can be to cope with this condition. Voices can make you feel alone, depressed, and suicidal. They can also interfere with your creativity, performance, and relationships. That is one of the reasons we created this track, death mother goddess, to express this experience and to raise awareness of this issue.

This track is not meant to be easy listening. It is dark, intense, and disturbing. But it reflects the reality of many people who live with voices every day. They often face rejection, discrimination, and violence from society, even from their own friends and family. They are told that they are crazy, dangerous, or possessed. Likewise, they are forced to hide their voices or to take medication that may not work or have harmful side effects. They are denied the opportunity to explore the meaning and origin of their voices, or to find ways to cope with them that suit their needs and preferences.

But there is hope. There are many musicians who have been open about their mental health challenges and who have used their music as a way of healing and empowering themselves and others. For example, Craig David has spoken about his battle with anxiety and how he overcame it through therapy and meditation (BBC Newsbeat, 2016). Laura Mvula has shared her experience of living with bipolar disorder and how music helped her cope with depression (The Guardian, 2016). Tom Grennan has revealed his struggle with addiction and how he used music as a form of therapy (NME, 2021). These are just some of the artists who have been actively campaigning for mental health awareness and support in the music industry and beyond.

There are also many organisations and resources that can help musicians with their mental health. For instance, Music Minds Matter is a free 24/7 helpline run by Help Musicians for everyone in the music industry (Help Musicians UK, n.d.). Music Support also runs a helpline for anyone in the music industry struggling with ill mental health and/or addiction (Music Support, n.d.). The British Association for Performing Arts Medicine (BAPAM) connects performing artists and musicians with free specialist health support (BAPAM, n.d.). These are just some of the services that are available for musicians who need help.

The aim of this track is not to glorify or romanticise mental illness, but to challenge the stereotypes and stigma that surround it. It is also to show solidarity and compassion to those who suffer from it. It is to say that you are not alone, you are not broken, you are not hopeless. You are a human being with a unique voice and a valuable story. You deserve respect, understanding, and support. Furthermore, you deserve to live a fulfilling and meaningful life.

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References

BBC Newsbeat (2016). Craig David: ‘Anxiety made me feel paranoid’. Retrieved from https://www.bbc.co.uk/news/newsbeat-37468541

BAPAM (n.d.). British Association for Performing Arts Medicine. Retrieved from https://www.bapam.org.uk/

Help Musicians UK (2017). Can Music Make You Sick? Retrieved from https://www.helpmusicians.org.uk/assets/publications/files/can_music_make_you_sick_summary.pdf

Help Musicians UK (n.d.). Music Minds Matter. Retrieved from https://www.helpmusicians.org.uk/health-welfare/mental-health/music-minds-matter

Music Support (n.d.). About Us. Retrieved from https://www.musicsupport.org/about-us/

NME (2021). Tom Grennan: “I’ve been through addiction – music was my form of therapy”. Retrieved from https://www.nme.com/features/tom-grennan-ive-been-through-addiction-music-was-my-form-of-therapy-2877310

The Guardian (2016). Laura Mvula: ‘I don’t know what happy looks like’. Retrieved from https://www.theguardian.com/music/2016/jun/12/laura-mvula-the-dreaming-room-interview

George’s Blog: Harder Faster

Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.

There are too many books I have not read
too many words I have not said
Too many feelings left untouched
Harder faster quicker now
 
Lessons learnt will be forgotten
As I plot another process
plot another path of torment
harder faster quicker now

Take the knife and mark my skin
As my soul is spread so thin
Drain me slowly, take it all
Harder faster quicker now

Warning signs will go unnoticed
As I work on through the process
Choosing not to see the dangers
Harder faster quicker now

I want more days so I have time
To reclaim what is rightfully mine
Though it never can be returned
Harder faster quicker now

The lyrics of harder faster quicker now, express a sense of urgency, frustration and self-destruction. The narrator feels overwhelmed by the things they have not done, the emotions they have not felt, and the life they have not lived.

Many people experience a sense of anxiety or guilt when they think about the tasks they have not completed or the goals they have not achieved. This is a common psychological phenomenon that can affect anyone at some point in their life.

There are various factors that can contribute to this feeling, such as unrealistic expectations, perfectionism, procrastination, stress, or lack of time management skills.

There are also effective strategies to cope with this feeling and reduce its negative impact on one’s well-being and productivity. Some of these strategies include prioritizing the most important or urgent tasks, breaking down large projects into smaller and manageable steps, setting realistic and achievable goals, rewarding oneself for accomplishments, seeking help or support when needed, and practising self-compassion and mindfulness.

As the lyrics continue, it becomes clear they resort to a compulsive and reckless behaviour, ignoring the consequences and the warnings. They inflict pain on themselves, both physically and mentally, as a way of coping with their dissatisfaction and emptiness.

Negative coping is a term that describes the use of maladaptive strategies to deal with stress or emotional distress. These strategies may provide temporary relief or distraction, but they often have harmful consequences in the long term. Examples of negative coping include substance abuse, self-harm, gambling, binge-eating, or excessive spending.

Negative coping can be seen as a form of compulsive and reckless behaviour because the person ignores the negative effects of their actions on themselves and others. They may also disregard the warnings or advice from their friends, family, or professionals who try to help them. This can lead to a vicious cycle of increasing stress, emotional pain, and unhealthy behaviour.

Negative coping can sometimes be overcome by learning and applying positive coping skills, such as relaxation, exercise, meditation, hobbies, or seeking support. Positive coping skills can help reduce stress, enhance well-being, and improve the quality of life. However, there can be underlying issues that drive this coping behaviour, often making it all the more dangerous and difficult to manage for the individual concerned.

As the lyrics continue, the individual also seems to have a delusional hope of reclaiming what they have lost, even though they know it is impossible. The chorus repeats the phrase “harder faster quicker now” as a mantra that reflects their obsession and desperation.

YouTube player

The song can be compared with other songs that deal with similar themes of alienation, self-harm and nihilism. For example, “Hurt” by Nine-Inch Nails (and later covered by Johnny Cash) describes the feeling of being numb and isolated, and the use of drugs and cutting as a way of escaping from reality.

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Another example is “Basket Case” by Green Day, which portrays the experience of having a panic disorder and feeling paranoid and out of control. Both songs also use a fast tempo and a distorted sound to convey the intensity and chaos of their emotions.

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Death mother goddess – Resources

This is the resources page for The Alice Syndrome’s track, death mother goddess

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Lyrics - 1Lyrics - 2Lyrics - 3

Voice 1
“And what makes you think you are good enough?
There is nothing about you that is appealing.
You sicken me”
 
Voice 2
“And what makes you think you are good enough?
There is nothing about you that is appealing.
You sicken me”
 
Voice 1
“I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
 
Voice 2
“You are worthless
I will destroy all your hopes
I will take all your joy
and poison your smile
I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
 
Voice 1
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and bitter and twisted, devoid of light”
 
Voice 2
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and bitter and twisted, devoid of light”
 
Voice 1
“I will lurk in every shadow
every corner of your mind
I will be every part of you
until you are nothing but me”
 
Voice 2
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and worthless and devoid of light”

Voice 1
“You are worthless
I will destroy all your hopes
I will take all your joy
and poison your smile
I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
 
Voice 2
“You are worthless
I will destroy all your hopes
I will take all your joy
and poison your smile
I will dig my blade into your soul
and twist until you writhe in pain
I will send poison through your very being
and screaming demons inside your brain”
 
Voice 1
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and worthless and devoid of light”
 
Voice 2
“I will lurk in every shadow
every corner of your mind
I will be every part of you
until you are nothing but me”
 
Voice 1
“I will warp and twist and tighten me grip
until there’s nothing of you of left
and I have recreated you in my own image
sad, and bitter and twisted,”
 
“Twisted”
 
“Twisted”
 
“Twisted”
 
“I will destroy you”
 
“Twisted”
 
“Twisted”
 
“I will destroy you”
 
Voice 2
“I will destroy you”
 
Voice 1
“Tearing, rip-apart and savage
Until all you hold dear is shredded and broken
Nothing will or can protect you
I know you too well”
 
Voice 2
“Tearing, rip-apart and savage
Until all you hold dear is shredded and broken
Nothing will or can protect you
I know you too well”

Voice 1
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
 
Voice 1
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
 
Voice 1
“I will destroy you”
 
Voice 2
“I will destroy you”
 
Voice 1
“Rip apart and savage”
 
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
 
Voice 2
“I will walk in every shadow
every corner of your mind
I will be every part of you
until you are nothing”
 
Voice 1
“I will destroy you”
 
Voice 2
“I will destroy you”
 
Voice 1
“Rip apart and savage”
 
Voice 1
“Rip apart and savage”
 
Voice 1
“I will exploit every dark fear and memory
Leave your mind broken, and twisted
Twisted”
 
Voice 2
“I will exploit every dark fear and memory
Until you are lying broken on the floor”
“Twisted”
 
Voice 1 and Voice 2
“I will destroy you”
 
“I will exploit every dark fear and memory
Leave your mind broken, and twisted”

Repeat to end.

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Flies – Resources

Flies-The-book-bandcamp

This is the resources page for The Alice Syndrome’s track, Flies.

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Lyrics

I submit to the lord of the universe

Wherever you are, death will overtake you
Though you are in towers raised high
Vie with one another, in good works

Give glad tidings to those who patiently proceed
By the token of time through the ages
Vie with one another, in good works

By the token of time through the ages
Verify, man is in lust
Except that which have faith
And do righteous things
And join together, in mutual teachings of truth
And of patience
And of constancy

– Islamic break –

Vie with one another, in good works
Give glad tidings to those who patiently proceed

Wherever you are, death will overtake you
Though you are in towers raised high

I submit to the lord of the universe
Vie with one another, in good works

Give glad tidings to those who patiently proceed

Who so interveneth, in a good cause
Shall have the reward thereof
And who so interveneth in an evil cause<⁣/span>
Will bear the consequences thereof

– Islamic break –
By the token of time through the ages

Wherever you are, death will overtake you
Though you are in towers raised high

I submit to the lord of the universe

I submit to the lord of the universe

 

Crash landing – Resources

This is the resources page for The Alice Syndrome track Crash Landing.

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Lyrics
It was in my head…

We are nothing more than vibrational frequencies
Held captive by physical form
We are potential, unrealised
We are potential, distracted
We are potential, corrupted
But we are, potential

We are nothing more than vibrational frequencies
Held captive by physical form
We are potential, unrealised
We are potential, distracted
We are potential, corrupted
But we are, potential

We are the distracted
We are the conditioned
We are the controlled
We are the led
But we are, potential

We are nothing more than vibrational frequencies
Held captive by physical form
We are potential, unrealised
We are potential, distracted
We are potential, corrupted
But we are, potential

We are the distracted
We are the conditioned
We are the controlled
We are the led
But we are, potential

We are godhead, denied
We are petty, we are cruel
We are ego unleashed
We are petty
We are cruel
We are ego unleashed
We are spoilt children
But we are, potential

Unrealised, potential
Unrealised, potential
Unrealised, potential
Unrealised, potential

Conditioned
Distracted
Corrupted
Controlled

We are so close, but not quite there
Held back by our inherent flaws
But we are, potential

We are the distracted
We are the conditioned
We are the controlled
We are the led
But we are, potential

We are potential
We are potential, corrupted
But we are, potential

We are the distracted
We are the conditioned
We are the controlled
We are the led
But we are, potential

We are godhead, denied
We are petty, we are cruel
We are ego unleashed
We are petty
We are cruel
We are ego unleashed
We are spoilt children
But we are, potential

We are so close, but not quite there
Held back by our inherent flaws
But we are, potential

Conditioned
Distracted
Corrupted
Controlled
But we are, potential

Unrealised, potential
Conditioned
Distracted
Corrupted
Controlled

We are so close, but not quite there
Held back by our inherent flaws
But we are, potential

We are the distracted
We are the conditioned
We are the controlled
We are the led
But we are, potential

We are so close, but not quite there
Held back by our inherent flaws
But we are, potential

We are nothing more than vibrational frequencies
Held captive by physical form
We are potential, unrealised

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George’s Blog: Stop me but give me more

Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.

Stop me but give me more – Bandcamp

Stop me but give me more, is a song about hearing voices. I love it because of this. 17 years ago, I started hearing voices. That was the beginning of quite a journey. Happy is the man who loves his voices.

Hearing voices is a common phenomenon that occurs in different cultures and contexts. However, many people are afraid of admitting that they hear voices because they think it is a sign of insanity, especially schizophrenia. This makes it a taboo topic that is rarely explored in the media or other forms of expression. One of the challenges is that hearing voices is not well understood, and people tend to avoid talking about it.

One of the songs that addresses hearing voices is Hearing Voices by Suicidal Tendencies, a band that pioneered the fusion of hardcore punk and metal in their 1983 debut album. The song depicts the experience of a person who has schizophrenia and hears voices that urge him to commit violent acts. The song has a fast pace, harsh vocals, and heavy guitars that convey the intensity and distress of the voice hearer. (Suicidal Tendencies, 1983)

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Hearing voices, also known as auditory verbal hallucinations, is a phenomenon that can occur in various contexts and is not necessarily a sign of mental illness (Mind, n.d.). In fact, many psychologists are proposing ideas about human multiplicities, which suggest that we all have different parts or sub-personalities within us that may express themselves in different ways (Good Therapy, 2021). One of these ways may be through hearing voices that represent different aspects of ourselves, such as our inner critic, our inner child, our protector or our guide. These voices may have different origins, such as trauma, stress, bereavement, spiritual experiences, effects of psychedelics, or physical factors (Mind, n.d.).

Some therapies, such as Internal Family Systems (IFS) therapy, offer great hope of enabling the individual to reintegrate negative voices in a positive and supporting way. IFS is based on an integrative model that combines elements from different schools of psychology and posits that each part possesses its own characteristics and perceptions (Good Therapy, 2021). IFS therapy aims to help the individual access their core self, which is the source of healing and compassion, and to establish a harmonious relationship with their parts. By doing so, the individual can reduce their distress and increase their wellbeing (Good Therapy, 2021).

My personal journey with my voices has been transformative and empowering. I used to be tormented by them, as they constantly threatened to end my life. However, I discovered a way to work with them, rather than against them, by applying a technique inspired by Jungian shadow work.

According to Jung (1958), the shadow is the repressed part of ourselves that we find unpleasant or intolerable. It contains both negative and positive aspects, but we tend to label them as all bad and try to avoid them. Shadow work is the process of acknowledging and integrating the shadow so that we can become more whole and authentic (Bertholo, 2013). By doing shadow work, I was able to understand the origin and purpose of my voices, and to communicate with them in a respectful and compassionate way.

I realized that they were not my enemies, but parts of myself that needed healing and acceptance. I invited them to join me in creating an inner support network, where we could help each other grow and thrive. To my surprise, even the most hostile and demonic voices agreed to drop their negativity and become part of my team. Nowadays, I no longer fear or hate my voices. They are my inner allies, who offer me guidance, encouragement, and wisdom. I want to share this message of hope with anyone who struggles with their voices: You are not alone, and you can transform your relationship with them.

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References

Bértholo, Joana. (2013). The Shadow in Project Management. Procedia – Social and Behavioral Sciences. 74. 358–368. 10.1016/j.sbspro.2013.03.007.

Cleveland Clinic. (2020). Auditory Hallucinations: Causes, Symptoms & Treatment. https://my.clevelandclinic.org/health/symptoms/23233-auditory-hallucinations

Good Therapy. (2021). Internal Family Systems Therapy. https://www.goodtherapy.org/learn-about-therapy/types/internal-family-systems-therapy

Jung, C. G. (1958). The undiscovered self. Little, Brown.

Mental Health Foundation. (n.d.). Hearing voices. https://www.mentalhealth.org.uk/england/explore-mental-health/a-z-topics/hearing-voices

Mind. (n.d.). Hearing voices. https://www.mind.org.uk/information-support/types-of-mental-health-problems/hearing-voices/about-hearing-voices/

Suicidal Tendencies. (1983). Hearing Voices. On Suicidal Tendencies [Album]. Frontier Records.

George’s Blog: Crash landing

Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.

YouTube player

Crash landing is a song that explores the theme of human potential and its limitations. The lyrics of the song reflect our influences by philosophical and psychological concepts such as existentialism, and transhumanism. The lyrics of Crash landing reflect a sense of alienation and dissatisfaction with the human condition.

The song begins with the lines:

We are nothing more than vibrational frequencies
Held captive by physical form
We are potential, unrealised
We are potential, distracted
We are potential, corrupted
But we are, potential

These lines suggest that we view human beings as essentially spiritual or energetic beings that are trapped in material bodies that limit their possibilities. The repetition of the word “potential” implies that humans have the capacity to transcend their physical limitations and achieve a higher state of existence, but they are hindered by various factors such as distraction, corruption, or conditioning. We also express a sense of frustration and despair with the current state of humanity, as it describes humans as:

We are godhead, denied
We are petty, we are cruel
We are ego unleashed
We are petty
We are cruel
We are ego unleashed
We are spoilt children

These lines contrast the idea of human potential with human reality, showing how humans fail to live up to their divine nature and instead act selfishly, violently, and immaturely. The phrase “ego unleashed” suggests that humans are driven by their lower instincts and impulses, rather than their higher aspirations and values. The song also criticizes the social and political systems that control and manipulate humans, as it states:

We are the distracted
We are the conditioned
We are the controlled
We are the led

These lines imply that humans are not free to pursue their true potential, but rather are subjected to various forms of indoctrination, propaganda, and coercion that keep them in a state of ignorance and conformity.

The song also expresses a sense of urgency and hope for change, as it repeats:

Unrealised, potential
Unrealised, potential
Unrealised, potential
Unrealised, potential

These lines emphasize the gap between what humans are and what they could be, as well as the possibility of closing that gap if humans awaken to their true nature and purpose. The song ends with the lines:

We are so close, but not quite there
Held back by our inherent flaws
But we are, potential

These lines suggest that despite all the obstacles and challenges that humans face, they still have a chance to overcome them and reach their full potential. However, they also acknowledge that humans have inherent flaws that make this task difficult and uncertain.

The theme of human potential and its limitations is not unique to The Alice Syndrome. Many other musicians and philosophers have explored this topic in different ways. For example:

Pink Floyd’s album The Wall (1979) depicts the psychological breakdown of a rock star who isolates himself from society and builds a metaphorical wall around himself to cope with his trauma and alienation. The album criticizes the oppressive forces that shape human behaviour and identity, such as war, education, religion, the media, and consumerism.

Jean-Paul Sartre’s existentialist philosophy argues that humans are free to create their own meaning and values in a world that is absurd and devoid of inherent purpose. However, this freedom also entails responsibility and anxiety, as humans have to face the consequences of their choices and actions.

Ray Kurzweil’s transhumanist vision proposes that humans can enhance their physical and mental capacities through technology and artificial intelligence. He predicts that humans will eventually merge with machines and achieve a state of singularity where they will transcend their biological limitations.

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The Alice Syndrome – Resources

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Full spectrum domination – Resources

This is the resource page for The Alice Syndromes audio track and video, Full spectrum domination.

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Full-spectrum-dominance-mono

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George’s Blog: Full spectrum domination

Welcome to George’s blog. I play keyboards in the Alice Syndrome, and I’m also very interested in psychology, spirituality and self-transcendence. Groovhead tends to write all our lyrics, which always touch on subjects that hit deep into my interests.

The following is a statement from Groovhead:

“,,,,,full spectrum domination was written in response to the the insidious , and seemingly inevitable rise of fascist right wing extremist ideologies that , inch by inch are begining to insinuate themselves across the globe , and impact on every aspect of our existence , no better exemplified by the rise in popularity of the poster boy of modern fascism donald trump ,and his surreal appointment to the presidency of the united states ,,,,,the term fsdis a tool by which control is exerted from the earliest of ages so that the idealogies of the far right are absorbed and become engrained in the individual so that they know no other ways of thinking ,,,,think of north korea but with better hair cuts , this can be seen in the usa with the power of right wing christian fundamentalists deciding what can m or cannot be taught in schools , books being banned in libraries , to the teaching of jewish children to hate palestinians from the earliest of ages , all sanctioned and encouraged by thier respective governments .trump was the ideal choice to illustrate this , as he has made no secrets of his desire to control through an authroitarian regime , his marginalistation and demonisation of certain groups ,and his many close links to several hardcore right wing groups , his popularist rhetoric playing on the weaknesses , fears and prejudices of his hardcore maga followers ,even going so far as to quote from mein kampf ,,sort of gives a clue to what lies beneath .Despite the song being specifically about trump , the song uses him as an example of our gradual slip towards a more authoritarian right wing existence , where compliance is all , and the ‘others ‘are vilified and scapegoated , where the erosion of freedom is the norm , and our seeming inability and impotence or apathy to do anything about it ,,,,we , in the alice syndrome , are proud to be part of the ‘others ‘ ,,,,no comply , groovhead”

Our track full spectrum domination is a dark and dystopian song that explores the themes of power, control and resistance. It’s really an anthem for resistance, a song which promotes the rights of the individual against the rights of the state. The video is a collage of images and clips that depict scenes of resistance to oppression and surveillance, such as protests and rebellion, over a soundscape that showcases Trumps “build the wall” period, while refrains of the star-spangled banner drift in the background. It also highlights the beauty of nature, and raises concerns about the immorality of globalist capitalism.

We use audio samples of Donald Trump and the USA anthem in the track to create a dystopian and satirical critique of American imperialism and militarism. The track combines a determined beat with distorted guitar riffs, synth electro sounds, deep bass, and vocal samples from Donald Trump’s speeches and interviews from the time of “Who’s going to build the wall”, to parody the political system in general.

The track begins with the USA anthem played in a distorted and dissonant way, followed by Trump’s voice saying “We will build the wall”. The track then alternates between segments of Trump’s voice and segments of other political commentators, who imply Trump is insane. We try to get the message across that this is a sideshow, that we never get to see what’s really going on.

The use of trump audio and the USA anthem in this track can be interpreted as a form of political parody and protest music, which aims to expose and ridicule the contradictions and absurdities of Trump’s rhetoric and policies. We try to use humour to challenge Trump’s discourse of nationalism, jingoism, and political machoism,

Full spectrum dominance is a term used by the US Department of Defence to describe its military strategy of achieving control over all domains of warfare, including land, sea, air, space, and cyberspace (US Department of Defence, 2001). We use this title to provide a comparison in terms of each of the political factions desire to have total control to that of the global militarist proposition of full spectrum dominance. We are trying to show that we are not only being lied to, but we are being encouraged to be divisive, and ultimately hate others.

The Alice Syndrome often uses musical sampling in our tracks, which is “the act of taking a portion of one sound recording and reusing it as an instrument or element of a new recording” (McLeod & DiCola, 2011, p. 1). We use sampling as a creative and expressive technique to create new meanings and associations from existing sounds. By sampling Trump’s voice and the USA anthem, we transform them into musical instruments that convey our political message. This also creates a contrast between the original meanings and contexts of these sounds and the new ones that we create. For example, by distorting the USA anthem, we subvert its patriotic and celebratory meaning into a dystopian and ironic one. By juxtaposing Trump’s voice with other commentators, we create a dialogue that exposes the ludicrous extremes that politicians and political activists get up to everywhere.

Full Spectrum Domination is a powerful and provocative piece of music that challenges the listeners to think critically about the issues of human rights, political power, social control and manipulation, and resistance in the contemporary world. The track uses a combination of sonic and visual elements to create a unique and compelling aesthetic experience that conveys a message of dissent and opposition to the oppressive practices of political full spectrum domination. The track is a form of artistic expression and social commentary that engages with the political and ethical dimensions of human existence.

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References

McLeod, K., & DiCola, P. (2011). Creative license: The law and culture of digital sampling. Duke University Press.

Street, J. (2012). Music and politics. Polity Press.

US Department of Defense. (2001). Joint vision 2020: America’s military: Preparing for tomorrow. https://www.hsdl.org/?view&did=4395

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